My sister Ann reminded me, by way of a Facebook post, that yesterday, the 26th, was Mom's birthday. She would have been 83. That's her in a shot my dad took in May 1964, when she was 34. She's posing in our Park Forest living room, and I think the occasion was that Dad was trying out a camera he had bought recently, a Minolta twin-lens reflex model. There's a series of other shots taken the same time; my brother Chris scanned them after Dad died earlier this years.
So much of this scene is evocative and immediate: The painting, by a family friend, was a fixture in every place we lived (and now hangs in Ann's house). I know Mom was sitting on a slat bench that also made it from house to house through our infrequent relocations (it's at Ann's or Chris's now). The vase of pussy willows over Mom's right shoulder--I don't know where that came from. But I can see the living room, with a black linoleum floor, half-paneled in redwood, a set of bookshelves Dad had installed, the closet where his stereo system resided, the Danish modern chairs and love seat and round coffee table, the doorway into the kitchen, the hallway back to our bedrooms, the picture window looking out onto the lawn, which sloped down to the street, bordered on the far side by a field and woods.
And part of this scene feels odd and distant, almost false: There's a tension in Mom's pose, for one thing. She had a way of putting on a face sometimes in a way that I don't see in photos taken much earlier or much later in her life. I might be seeing something that's not really there, but I know what she and my dad had been through at this point: raising five kids, for one thing, and the death of one of them, and other troubles that I feel are barely contained beneath this serene-looking scene.
And also I know what's to come for her. She's about to go into psychoanalysis, get a driver's license, join Operation Head Start, move out to the woods into a new home, become a foster parent to untold numbers of stray dogs and cats, and help organize a campaign to save the forest from an ambitious local developer. She's going to use her considerable intellect and talents as a newspaper reporter, go back to school, and work in several other challenging jobs. She's also about to confront deep and lingering depression, the reality of a husband and brother sinking deep into alcoholism, several angry adolescent boys and a daughter who was pushed into the background by all of the above.
It feels like all that is hiding inside the frame here, somewhere behind that composed smile.